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I am currently based in Boston, Massachusetts but very willing and eager to make theater across the country and beyond!

 

Below is an ever-growing and non-comprehensive list of plays that I would love to work on in some capacity. Need a director for one of these, or any other titles? Get in touch! â€‹

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  • ​Any and all Shakespeare, but in particular All's Well That Ends Well, Antony & Cleopatra, Cymbeline, Hamlet, Henry IV Parts 1 and 2, Julius Caesar, King John, Macbeth, Measure for Measure, The Merchant of Venice, A Midsummer Night's Dream, Much Ado About Nothing, Richard II, Timon of Athens, Twelfth Night, and The Winter's Tale​

  • Dido, Queen of Carthage, Doctor Faustus, Edward II; Christopher Marlowe

  • The Alchemist, Volpone; Ben Jonson

  • The Changeling, Women Beware Women; Thomas Middleton

  • The Duchess of Malfi, The White Devil; John Webster

  • The Broken Heart, ‘Tis Pity She’s a Whore; John Ford

  • Tartuffe, Moliere

  • All for Love, Marriage à la Mode; John Dryden

  • The Way of the World, William Congreve

  • The London Merchant, George Lillo

  • The Beaux’ Stratagem, The Recruiting Officer; George Farquhar

  • The Rivals, The School for Scandal, Richard Brinsley Sheridan

  • The Cenci, Percy Bysshe Shelley

  • Ghosts, Hedda Gabler, Peer Gynt, The Master Builder; Henrik Ibsen

  • Miss Julie, August Strindberg

  • Arms and the Man, Candida, Mrs. Warren’s Profession, Misalliance, Pygmalion, Saint Joan; George Bernard Shaw

  • The Importance of Being Earnest, Oscar Wilde 

  • The Cherry Orchard, The Seagull, Uncle Vanya; Anton Chekhov

  • Playboy of the Western World, John Synge

  • Hay Fever, Present Laughter, Private Lives, The Vortex; Noël Coward

  • The Constant Wife, W. Somerset Maugham

  • The Maids, Jean Genet

  • The Royal Family, Stage Door; Kauffman & Ferber

  • Rope, Patrick Hamilton

  • Cat on a Hot Tin Roof, The Glass Menagerie, A Streetcar Named Desire, Sweet Bird of Youth; Tennessee Williams​

  • The Skin of Our Teeth, Thornton Wilder

  • The Cocktail Party, T.S. Eliot

  • Becket, The Rehearsal; Jean Anouilh

  • The Deep Blue Sea; Terrence Rattigan 

  • Bus Stop, Picnic; William Inge 

  • The Visit, Friedrich Dürrenmatt

  • A Patriot for Me, The Entertainer, John Osborne

  • The Balcony, Jean Genet

  • Boeing Boeing, Marc Camoletti

  • A Delicate Balance, Who’s Afraid of Virginia Woolf; Edward Albee

  • Amadeus, Black Comedy, Equus, Royal Hunt of the Sun; Peter Shaffer

  • Philadelphia, Here I Come!, The Home Place, Afterplay; Brian Friel

  • The Promise, Aleksei Arbuzov

  • Saved, Edward Bond

  • Loot, What the Butler Saw; Joe Orton

  • Vivat! Vivat Regina!, Robert Bolt

  • Betrayal, Harold Pinter 

  • Les liaisons dangereuses, Christopher Hampton

  • The Normal Heart, Larry Kramer

  • A Bright Room Called Day, Angels in America; Tony Kushner

  • La Bête, David Hirson

  • On the Verge, Eric Overmyer

  • The Lisbon Traviata, Love! Valour! Compassion!; Terrence McNally

  • Six Degrees of Separation, The House of Blue Leaves; John Guare

  • Absolute Hell, Rodney Ackland 

  • To Fool the Eye, Jeffrey Hatcher 

  • Valhalla, Paul Rudnick

  • Vincent River, Mercury Fur; Philip Ridley 

  • The York Realist, Peter Gill 

  • The History Boys, Alan Bennett 

  • The Ugly One, Marius von Mayenburg

  • God’s Ear, Jenny Schwartz

  • Coram Boy, Helen Edmundson

  • Punk Rock, Simon Stephens 

  • August: Osage County, Tracy Letts

  • Wild With Happy, Colman Domingo

  • Grand Concourse, Heidi Schreck

  • Blue Stockings, Jessica Swale

  • The Humans, Stephen Karam

  • Cock, Mike Bartlett

  • Le Switch, Philip Dawkins 

  • Elegy, Nick Payne 

  • The Inheritance, Matthew Lopez

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I am also developing adaptations of The House of Mirth by Edith Wharton, The Picture of Dorian Gray by Oscar Wilde, Party Going by Henry Green, and the very rarely produced (and impossible to pronounce) 

Thesmophoriazusae by Aristophanes. I would love to continue developing these plays at your theater!

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