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I am currently based in Boston, Massachusetts but very willing and eager to make theater across the country and beyond!

 

Below is an ever-growing and non-comprehensive list of plays that I would love to work on in some capacity. Need a director for one of these, or any other titles? Get in touch! ​

  • ​Any and all Shakespeare, but in particular All's Well That Ends Well, Antony & Cleopatra, Cymbeline, Hamlet, Henry IV Parts 1 and 2, Julius Caesar, King John, Macbeth, Measure for Measure, The Merchant of Venice, A Midsummer Night's Dream, Much Ado About Nothing, Richard II, Timon of Athens, Twelfth Night, and The Winter's Tale​

  • Dido, Queen of Carthage, Doctor Faustus, Edward II; Christopher Marlowe

  • The Alchemist, Volpone; Ben Jonson

  • The Changeling, Women Beware Women; Thomas Middleton

  • The Duchess of Malfi, The White Devil; John Webster

  • The Broken Heart, ‘Tis Pity She’s a Whore; John Ford

  • Tartuffe, Moliere

  • All for Love, Marriage à la Mode; John Dryden

  • The Way of the World, William Congreve

  • The London Merchant, George Lillo

  • The Beaux’ Stratagem, The Recruiting Officer; George Farquhar

  • The Rivals, The School for Scandal, Richard Brinsley Sheridan

  • The Cenci, Percy Bysshe Shelley

  • Ghosts, Hedda Gabler, Peer Gynt, The Master Builder; Henrik Ibsen

  • Miss Julie, August Strindberg

  • Arms and the Man, Candida, Mrs. Warren’s Profession, Misalliance, Pygmalion, Saint Joan; George Bernard Shaw

  • The Importance of Being Earnest, Oscar Wilde 

  • The Cherry Orchard, The Seagull, Uncle Vanya; Anton Chekhov

  • Playboy of the Western World, John Synge

  • Hay Fever, Present Laughter, Private Lives, The Vortex; Noël Coward

  • The Constant Wife, W. Somerset Maugham

  • The Maids, Jean Genet

  • The Royal Family, Stage Door; Kauffman & Ferber

  • Rope, Patrick Hamilton

  • Cat on a Hot Tin Roof, The Glass Menagerie, A Streetcar Named Desire, Sweet Bird of Youth; Tennessee Williams​

  • The Skin of Our Teeth, Thornton Wilder

  • The Cocktail Party, T.S. Eliot

  • Becket, The Rehearsal; Jean Anouilh

  • The Deep Blue Sea; Terrence Rattigan 

  • Bus Stop, Picnic; William Inge 

  • The Visit, Friedrich Dürrenmatt

  • A Patriot for Me, The Entertainer, John Osborne

  • The Balcony, Jean Genet

  • Boeing Boeing, Marc Camoletti

  • A Delicate Balance, Who’s Afraid of Virginia Woolf; Edward Albee

  • Amadeus, Black Comedy, Equus, Royal Hunt of the Sun; Peter Shaffer

  • Philadelphia, Here I Come!, The Home Place, Afterplay; Brian Friel

  • The Promise, Aleksei Arbuzov

  • Saved, Edward Bond

  • Loot, What the Butler Saw; Joe Orton

  • Vivat! Vivat Regina!, Robert Bolt

  • Betrayal, Harold Pinter 

  • Les liaisons dangereuses, Christopher Hampton

  • The Normal Heart, Larry Kramer

  • A Bright Room Called Day, Angels in America; Tony Kushner

  • La Bête, David Hirson

  • On the Verge, Eric Overmyer

  • The Lisbon Traviata, Love! Valour! Compassion!; Terrence McNally

  • Six Degrees of Separation, The House of Blue Leaves; John Guare

  • Absolute Hell, Rodney Ackland 

  • To Fool the Eye, Jeffrey Hatcher 

  • Valhalla, Paul Rudnick

  • Vincent River, Mercury Fur; Philip Ridley 

  • The York Realist, Peter Gill 

  • The History Boys, Alan Bennett 

  • The Ugly One, Marius von Mayenburg

  • God’s Ear, Jenny Schwartz

  • Coram Boy, Helen Edmundson

  • Punk Rock, Simon Stephens 

  • August: Osage County, Tracy Letts

  • Wild With Happy, Colman Domingo

  • Grand Concourse, Heidi Schreck

  • Blue Stockings, Jessica Swale

  • The Humans, Stephen Karam

  • Cock, Mike Bartlett

  • Le Switch, Philip Dawkins 

  • Elegy, Nick Payne 

  • The Inheritance, Matthew Lopez

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I am also developing adaptations of The Picture of Dorian Gray by Oscar Wilde, Party Going by Henry Green, and the very rarely produced (and impossible to pronounce) Thesmophoriazusae by Aristophanes. I would love to continue developing these plays at your theater!

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